Teo Hernández Movies

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...

Outtakes from the movie

Outtakes from the movie

"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."

Teo Hernández's unmistakable camera movements portray the Basilica of the Sacred Heart in Paris.

The banner of the Cannes Festival shows its three premises: glory, money and politics. If you film the banal, the naive and the superficial of the...

The filmmaker recycles the discarded material from Concertino, a film conceived for a piece for ten dancers by the same name by Catherine...

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Touching testimony of Teo Hernandez's return to his country after fifteen years of exile.

Short film by Teo Hernández that serves as a travelogue of a visit to Granada.

Outtakers from the movie

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

The outcome of Hernández’ friendship with the dancer and choreographer Bernardo Montet, this work, ranging from black-and-white to...

Fugitive images of the northwestern city of France.