Series 4 at Fmovies. This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.
02021HD
Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.
8.11927HD
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a...
8.01968HD
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most...
6.51979HD
When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take...
7.92001HD
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is...
7.61984HD
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah...
02023HD
Through experimental editing and the recitation of movie trivia the film comments on the chaos of information in the age of the internet.
02023HD
In a not so distant future artificial intelligence speaks to suffocating humanity. On the last journey, humanity is escorted by surreal entities,...
6.92004HD
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a...
02014HD
9 key moving image works created by filmmaker Christian Lebrat over a ten-year period (1976-1985). Each film focus on an aspect of his...
02019HD
A women takes a journey that questions the boundaries of reality and what is an illusion.
02024HD
A young woman watches TV with her cat in the room. A dying man explores what's left of his psyche.